Lisette Rees-Peel

M/M romance · British rowing

The Pair

Two men, one boat, and a secret that starts at five in the morning.

Set in the same world of British rowing as her other series. Each one follows its own couple, and you can start with any of them.

The cover of The Catch

The Pair · Book 1

The Catch

Two men. Two blades. No cox, no coach, nobody else in the boat.

Theo Rooke came out on live television at twenty-one, soaked to the skin, thirty seconds after winning the Boat Race. He has been the brave one ever since, and it is killing him.

Wessel Marais has never said the word out loud. Not once, in any language, in an empty room. He strokes the Oxford boat, he is the fastest man in the country, and he taught himself to row alone on a dam on his father's farm in the Free State.

They have spent two years hating each other in public.

Then Wes puts Theo in the Thames in front of four million people — and British Rowing's answer is to put them in the same boat.

A coxless pair has no one to steer it and no one to blame. It moves only when two men move as one, and it knows, immediately, when one of them is lying.

What starts in a boathouse at five in the morning is the best thing either of them has ever had. Neither of them can be seen having it.

Theo has one rule, made in a car park at twenty-two with his hands shaking: never a closeted man. Never again.

Wes has nine. It is the ninth one that will finish them.

And somebody already has a photograph.

Rivals to lovers · forced proximity · secret relationship · out/closeted · found family · one couple across all three books · explicit · slow-earned HEA at the end of the trilogy

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The cover of Clear Water

The Pair · Book 2

Clear Water

The statement named nobody. That was the worst thing in it.

One paragraph, issued on a Monday morning by British Rowing. Teammates and friends. Private moments misrepresented. Good writing, professionally done — and not one syllable of Theo Rooke anywhere in it.

Wessel Marais wrote it himself. Not that paragraph: nine words of it, in May, in a corridor in Italy at one in the morning, with his hand on the back of Theo's neck. If it comes out, I will say it isn't true.

Theo agreed to it. That is the part he cannot get past.

What follows is not a break-up. It is slower, and it is worse.

Wes goes home nine thousand kilometres to a farm that has not wanted him since he was seventeen, to a father who will not use his name. Theo stays in England, gets very fast and very angry, and lets a kind, out, uncomplicated man be good to him.

Both of them keep count of the days. Neither will say what they are counting towards.

Then Wes comes back and does the one thing nobody asked him for — alone, in his own words, and without ever saying Theo's name.

It costs him a country, his father's church, and his seat in the boat. It does not get him forgiven.

And by the end of the season they are back in the same boat: forty centimetres apart, faster than either of them has ever gone, and further from each other than they have ever been.

Secret relationship · public denial · forced separation · coming out · one couple across all three books · explicit · Book 2 does not end happily — the trilogy's HEA is Book 3. ### One-line version (spine band, catalogue) He wrote the denial himself, months before he needed it.

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The cover of Out Loud

The Pair · Book 3

Out Loud

He has said it in Afrikaans, in the dark, with his hand over Theo's mouth. He has never once said it in English.

Wessel Marais has a country again, and a seat in a boat, and a man who has waited three years for him to say one true thing out loud in a room where somebody could hear it.

What he does not have is a father who will use his name.

Theo Rooke came out on live television at twenty-one and has been the brave one ever since. He has one rule, made in a car park in Ely with his hands shaking — never a closeted man, never again — and he is about to discover that it was never about Wes, and never about the man he made it about either, and that he has spent three years quietly charging an innocent man interest on somebody else's debt.

They are the fastest pair in the world and they are still lying to each other. One of them has a letter he will not open. One of them has a name he has not said out loud in seven years.

And a journalist has a date — the twelfth of September — which only three people could have given him.

It is going to turn out to be somebody they both love.

Six minutes on a Sunday in August will decide what the last three years were for, and it will not go the way either of them has planned, and afterwards there will still be a kitchen to buy a pan for.

Two men. One boat. Forty centimetres. And nowhere left to hide.

Second-chance · coming out · found family · forced proximity · one couple across all three books · explicit · the trilogy's hard-won, imperfect HEA lands here ### One-line version (spine band, catalogue) Same boat, same two men — and this time they say it out loud.

Read it on Amazon

The whole series on Amazon.